MORETTO da Brescia
Italian High Renaissance Painter, 1498-1554 Italian painter. Together with Romanino and Giovanni Girolamo Savoldo, he was one of the most distinguished painters of Brescia of the 16th century. Influenced by both Lombard verism and contemporary Venetian painters, Moretto created an individual style in which realism and Venetian light and colour were perfectly balanced. He was personally involved in the local movement of Roman Catholic reform, and this is reflected in his direct, solemn and often moving depictions of religious subjects.

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MORETTO da Brescia A Saint Monk atg oil painting


A Saint Monk atg
1530 Oil on canvas, 81 x 71,5 cm Museum of Fine Arts, Budapest
Painting ID::  8285
MORETTO da Brescia
A Saint Monk atg
1530 Oil on canvas, 81 x 71,5 cm Museum of Fine Arts, Budapest
   
   
     

MORETTO da Brescia The Virgin of Carmel ge oil painting


The Virgin of Carmel ge
c. 1522 Oil on canvas, 271 x 298 cm Gallerie dell'Accademia, Venice
Painting ID::  8286
MORETTO da Brescia
The Virgin of Carmel ge
c. 1522 Oil on canvas, 271 x 298 cm Gallerie dell'Accademia, Venice
   
   
     

MORETTO da Brescia Bonaventure and Anthony of Padua (mk05) oil painting


Bonaventure and Anthony of Padua (mk05)
Wood,44 1/2 x 23 1/2''(113 x 60 cm)Acquired by exchange with the Brera,Milan,in 1812
Painting ID::  20308
MORETTO da Brescia
Bonaventure and Anthony of Padua (mk05)
Wood,44 1/2 x 23 1/2''(113 x 60 cm)Acquired by exchange with the Brera,Milan,in 1812
   
   
     

MORETTO da Brescia Allegory of Faith oil painting


Allegory of Faith
mk65 1520S Oil on panel 40x31"
Painting ID::  29126
MORETTO da Brescia
Allegory of Faith
mk65 1520S Oil on panel 40x31"
   
   
     

MORETTO da Brescia St Fustina,venerated by a donor oil painting


St Fustina,venerated by a donor
mk150 c.1530 Poplar 200x139cm
Painting ID::  39609
MORETTO da Brescia
St Fustina,venerated by a donor
mk150 c.1530 Poplar 200x139cm
   
   
     

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     MORETTO da Brescia
     Italian High Renaissance Painter, 1498-1554 Italian painter. Together with Romanino and Giovanni Girolamo Savoldo, he was one of the most distinguished painters of Brescia of the 16th century. Influenced by both Lombard verism and contemporary Venetian painters, Moretto created an individual style in which realism and Venetian light and colour were perfectly balanced. He was personally involved in the local movement of Roman Catholic reform, and this is reflected in his direct, solemn and often moving depictions of religious subjects.

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